This was a rose I got for myself a while back from the Malden T station, where really affordable bouquets were sold from a flower stand. I loved the orange yellow pedals that had a pink glow to it at the same time. The object of this painting was not to capture detail, but an overall sense of layer and pedal and color shades. Admittedly it could use a few more hard edges, but I thought the yellow highlights were well-placed. Next time I look forward to painting from a real rose as opposed to from a photo. It's one of those subjects that allows me to practice similar techniques, hold space to explore new ones, yet still come out unique and satisfying most of the time.
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Wednesday, March 16, 2016
Flushing Feast (canvas panel 6X6", 3.11.2016) GIFTED
This was based off a photo of my friend Lucy who lives in NYC. When I visited her last year in November we went out for a lamb dinner. I love the glorious light coming in and streaming past her from behind. I tried to capture that based on how I imagined it had felt. I took hours over the course of a few days to try capture her cute smile, but was only partially successful. The bright colors represent how I felt about this particular moment. This is a weird painting in the sense that I have still not decided how I feel about it.
Friday, March 11, 2016
The Cheese of Life (canvas panel 5X7", 3.1.2016)
This one is a bit more abstract, I like the curves around the rattie, and that even though his bulging belly is not completely realistic, does give him a sense of being well-fed and a lover of food. I decided to make the piece of cheese larger than life in order to portray a concept rather than what is normally considered reality. If Jesus were attempting to save a group of rodents he'd say... " I am the cheese of life. Whoever comes to me will never go hungry, and whoever believes in me will never be thirsty."
Thursday, March 10, 2016
Portrait of a Friend (canvas panel 5X7", 2.20.2016)
At some point in painting this I came close to destroying it in attempt to start over, but finally after much observation I was able to capture to a decent degree the facial features of my rat Remy. What made it hard was that this friend did not like to stay still and squirmed a lot while I tried very hard to visually memorize what he looked like in frontal view. It came out a bit more formal looking than what I was going for, but there are still aspects of it that I really like especially the dark and light contrast. There's not much shape to his tummy area because he has grown fat recently. I appreciate the way the hands are kept dark to not draw too much attention to them but still give a sense of something supporting his position. This painting was especially challenging to capture on camera without a glare. It taught me a lot about how to use light and shadow in photography. The actual paintings are always more colorful than photos.
Wednesday, February 24, 2016
Onions (Gesso Board 6X6", 2.18.2016)
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Tuesday, February 23, 2016
Mom (Gesso Board 6X6'', 2.10.2016) GIFTED
I am convinced that art is not about accuracy as much as it is about being able to express what it is you truly appreciate about creation. Here, what I appreciated and inspired me to paint this image was the spontaneous smile and the joy on mom's face, which for a moment in life, found the opportunity to express itself freely without any sense of self-consciousness. There's no trying to cover up crooked teeth, or a mouth and a face that some might judge as "too big" and "un-pretty". Mom herself would likely find this image of herself somewhat embarrassing. To embarrass is not the purpose of why I post or paint this image, but rather, to share the hope, joy, and a sense of love that I feel from it. This is for all you narcissists out there, myself included... that our "imperfections" does not keep the world from spinning, rather see and rest in the fact that the beauty we hold so tightly to does not come from ourselves. It's a gift bestowed upon us undeserved and free to enjoy. The One who gives us these gifts will be faithful to keep the world spinning even when we fall short. May we turn our eyes upward more and more often.
Monday, February 22, 2016
Knoll Lake Fishing (Canvas Panel 11X14", Feb.05.16) (GIFTED)
After trying really simple still-life paintings, I wanted to do something that had more interesting shapes and textures. Feeling nostalgic about a road-trip I had with two good friends a few years back, I picked out some old photographs and thought it would be fun to paint people I know. The one taking the photo in the forefront is my friend Claire, the one with a cooler in the mid-ground is my friend Biyo, and I am the person all the way in the back holding fishing poles, leading the way as usual :P
I will say this, that it is quite difficult to paint from a photo where there is almost an over-exposure of light, but it was quite a cool moment when the faces began to take on the familiar expression of people I knew so well. The trees were the most enjoyable part of this whole painting, and I kind of like the overly-saturated light effect. With that said however, I will be paying more attention to the light and dark contrasts of photos I pick out especially when it comes to painting people.
I will say this, that it is quite difficult to paint from a photo where there is almost an over-exposure of light, but it was quite a cool moment when the faces began to take on the familiar expression of people I knew so well. The trees were the most enjoyable part of this whole painting, and I kind of like the overly-saturated light effect. With that said however, I will be paying more attention to the light and dark contrasts of photos I pick out especially when it comes to painting people.
Tuesday, February 16, 2016
Blood Brothers (Gesso board 6X6", Feb.1.2016)
Thursday, February 4, 2016
Lemons :D (Gesso Board 6X6", Jan.28.2016)
I got some lemons to make lemon chicken from a cook book, and thought it would be rather cool to paint them in a shadow box that I made myself from cardboard boxes. I never thought I would find still life enjoyable. They always struck me as rigid and boring. But in actuality I really enjoyed the freedom it gave me to block in an area or general shape with saturated color, understand how to apply shadow and highlights, as well as the order of procedure in doing so. In this particular one my brushstrokes were still rather tight, but I was already beginning to loosen up mentally. The sprite bottle was not as hard as I originally thought and overall I liked the way it turned out!
Monday, February 1, 2016
Rose Face (Canvas Panel 11X14'', Jan.20.2016)
I'm really glad I decided to do this on a larger canvas surface. It was from a photo of my friend's recital flowers, and I've always loved taking pictures of a rose close up. I did this with a yellow background wash, and then after sketching out the lines, filled in the shades and highlights in according to the values of the rose in the photo. This image really taught me to develop all areas evenly without becoming committed to details too early. I learned a lot about the actual colors in reality as well. What I thought looked mostly pink and white at first actually had a significant amount of blue in it, and it wasn't until I realized this that the highlights and shades began to take on a more realistic look. Doing this one had really made me fall deeper in love with oil painting. It is such a forgiving medium and the effects are wonderful and encouraging. I'm really glad to have captured to some degree the translucent quality of the petals and the delicate folds, which had always been among the many reasons why I love roses.
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